150 file audio bebas royalti untuk "Classical Piano Music"

Aria from L'elisir d'amore sung by Enrico Caruso accompanied by Salvatore Cottone on piano.

Robert Schumann: Kinderszenen, Op. 15, No. 4 "Bittendes Kind" Robert Schumann: Scenes from Childhood, Op. 15, No. 4 "Pleading Child"

Robert Schumann: Kinderszenen, Op. 15, No. 6 "Wichtige Begebenheit" Robert Schumann: Scenes from Childhood, Op. 15, No. 6 "An Important Event"

Robert Schumann: Kinderszenen, Op. 15, No. 10 "Fast zu ernst" Robert Schumann: Scenes from Childhood, Op. 15, No. 10 "Almost Too Serious"

Robert Schumann: Kinderszenen, Op. 15, No. 8 "Am Kamin " Robert Schumann: Scenes from Childhood, Op. 15, No. 8 "At the Fireside"

Robert Schumann: Kinderszenen, Op. 15, No. 3 "Hasche-Mann" Robert Schumann: Scenes from Childhood, Op. 15, No. 3 "Blind Man's Bluff"

Robert Schumann: Kinderszenen, Op. 15, No. 2 "Kuriose Geschichte" Robert Schumann: Scenes from Childhood, Op. 15, No. 2 "A Curious Story"

Piano Sonata No. 32 in C minor, Op. 111. First bars perfomed by Daniel Veesey cropped by User:A1 Українська: Людвіг ван Бетховен. Фортепіанна соната №32. Перші такти Виконує Daniel Veesey Вирізка User:A1

Robert Schumann: Kinderszenen, Op. 15, No. 9 "Ritter vom Steckenpferd " Robert Schumann: Scenes from Childhood, Op. 15, No. 9 "Knight of the Hobbyhorse"

Бетховен Людвиг Ван - Соната 8 для ф-но Патетическая в до миноре, Op. 13 - 2. Adagio cantabile

Claude Debussy: Ariettes oubliées (6), song cycle for voice & piano, L. 60 No. 2 "Il pleure dans mon cœur". Xiaobo Su, soprano; Giorgi Latsabidze, piano. Los Angeles USC Alfred Newmann Concert Hall, 2010. Live Performance Recording.

Claude Debussy: Ariettes oubliées (6), song cycle for voice & piano, L. 60 No. 2 "Il pleure dans mon cœur". Xiaobo Su, soprano; Giorgi Latsabidze, piano. Los Angeles USC Alfred Newmann Concert Hall, 2010. Live Performance Recording.

Marsz żałobny c-moll op. posth 72 nr 2Chopin's Funeral March, Op. posth. 72 no. 2; performed by Aya Higuchi; via Musopen.日本語: ショパン作曲『葬送行進曲』作品番号72-2、ヒグチ・アヤによる演奏。Musopenより入手。

Joshua Bell, Awadagin Pratt, and Alisa Weilerstein Perform Felix Mendelssohn's Piano Trio No. 1 in D minor, Op. 49 – 4. Finale: Allegro assai appassionato, at the White House Evening of Classical Music on November 4, 2009.

Português: A Sertaneja (1869), de autoria de Brasílio Itiberê (1846-1912).The Rhapsody A Sertaneja (1869) by the Brazilian composer Brasílio Itiberê (1846-1912).

Robert Schumann: Kinderszenen, Op. 15, No. 1 "Von fremden Ländern und Menschen" Robert Schumann: Scenes from Childhood, Op. 15, No. 1 "Of Foreign Lands and Peoples"

Instrumental composition using violin, piano and tabla based on Hindustani classical music, credited to P.S. Mukherjee of Kanpur. Recorded around 1930-31 in India Taken from 78 rpm disc: TWIN FT12220 OMF. 4368 Digitised by: Moloy Ghosh Credits: Debamitro Chakraborti

Claude-Paul Taffanel's Andante Pastoral et Scherzettino (1907), the competition piece for the 1907 Paris Conservatory Flute Concours. Performed by Alex Murray (flute) and Martha Goldstein (piano) for Pandora Records, c. 1980, and released on Pan 110.

Robert Schumann: Kinderszenen, Op. 15, No. 12 "Kind im Einschlummern " Robert Schumann: Scenes from Childhood, Op. 15, No. 12 "Child Falling Asleep" Robert Schumann : Scènes d'enfants, Op. 15, No. 12 "L'enfant s'endort"

La Plus Que Lente, performed by Wikipedia user La Pianista. Українська: La Plus Que Lente — вальс написаний французьким композитором Клодом Дебюссі в 1910 році. Čeština: Klavírní skladba - waltz La plus que lente francouzského skladatele Claudea Debussyho z roku 1910. Эрзянь: La Plus Que Lente. Теизе-арсизн Клод Дебюсси — французонь седийсёрмадеесь 1910 иестэ. La Plus que lente, morceau composé en 1910 par le compositeur français Claude Debussy.

Robert Schumann: Kinderszenen, Op. 15, No. 13 "Der Dichter spricht" Robert Schumann: Scenes from Childhood, Op. 15, No. 13 "The Poet Speaks" Robert Schumann : Scènes d'enfants, Op. 15, No. 13 "Le poète parle"

First Publication Alberts Music Sydney Australia with separate violin & cornet parts (ommitted) Fourth edition 1932 by another publisher Palings Sydney Australia with band parts Bert Rache (-1928) http://nla.gov.au/anbd.aut-an35655503 Dated Australia wide (5 July 1910). "Advertising". The West Australian XXVI, (7,572): 1. Retrieved on 3 May 2021.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

Sound file in ".ogg" format of "Vjutro rano", a Croatian folk song thought to be a model used by en:Joseph Haydn in composing en:Gott erhalte Franz den Kaiser. Song is taken from the book Haydn: A Croatian Composer by William Hadow (1897); the copyright on this work is expired. Digital recording of Opus33 playing this tune on a piano. This material is released into the public domain.

w:Awadagin Pratt performs w:Alexander Scriabin's Étude Op. 8 No. 12 at the White House Classical Music Student Workshop Concert. In the 1 hour session this is from about 29:40-31:44.

Hello World! is a piece of contemporary classical music for clarinet-violin-piano trio composed by Iamus Computer in September 2011. It is arguably the first full-scale work entirely composed by a computer without any human intervention and automatically written in a fully-fledged score using conventional musical notation.

Ludwig van Beethoven's Piano Sonata No. 28 in A Major, Op. 101, Movement IV: Geschwind, doch nicht zu sehr und mit Entschlossenheit. (Allegro) As there is no pause between the last two movements, it is suggested that Image:Beethoven - Piano Sonata No. 28 in A Major, Op. 101 - III. Langsam und sehnsuchtsvoll and IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit.ogg be used instead of this one.

Ludwig van Beethoven's Piano Sonata No. 28 in A Major, Op. 101, Movement III: Langsam und sehnsuchtsvoll (Adagio, ma non troppo, con affetto). As there is no pause between the last two movements, it is suggested that Image:Beethoven - Piano Sonata No. 28 in A Major, Op. 101 - III. Langsam und sehnsuchtsvoll and IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit.ogg be used instead of this one.

Rondo alla turca tzw. "Marsz turecki" z Sonaty fortepianowej A-dur (KV 331) w wykonaniu Romualda Greissa na fortepianie marki Budynowicz z 1850. Nagranie z koncertu w filharmonii w Zabrzu. Rondo alla turca (KV 331, 3. Movement) performed by Romuald Greiss on old Budynowicz piano from 1850

Aria from Germania sung by Enrco Caruso, accompanied by Salvatore Cottone on piano. Studenti! Udite! – aria z opery Germania Alberto Franchettiego w wykonaniu Enrico Caruso zarejestrowana w Mediolanie przez Freda Gaisberga. Čeština: Árie Studenti! Udite! z opery Germania italského skladatele Alberto Franchettiho. Jde o první nahrávku slavného Enrica Carusa, nahrál americký muzikolog Fred Gaisberg dne 11. dubna roku 1902. Македонски: Првата снимка на Енрико Карузо од изведба во 1902 г. — аријата Студенти! Слушајте! од операта Германија на Алберто Франкети.

Das Gebet einer Jungfrau, Op. 4 (Tekla Bądarzewska (1834–1861), 3:05) "A Maiden's Prayer", Op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05 minutes) « La prière d'une vierge », op. 4 (Tekla Bądarzewska (1834–1861), 3:05) Italiano: "La preghiera di una vergine", Op. 4 (Tekla Badarzewska (1834–1861), 3:05) Nederlands: "Het gebed voor een maagd", op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05) "Modlitwa dziewicy", op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05) Română: "Rugăciunea unei fecioare", Op. 4 (Tekla Badarzewska (1834–1861), 3:05)

Ludwig van Beethoven's Piano Sonata No. 28 in A Major, Op. 101, Movement III: Langsam und sehnsuchtsvoll (Adagio, ma non troppo, con affetto) and movement IV: Geschwind, doch nicht zu sehr und mit Entschlossenheit. (Allegro) There is no pause between the two movements.

Maurice Ravel - Jeux d'eau (Martha Argerich, 1962) Jeux d'eau Maurice'a Ravela w wykonaniu Marthy Argerich z 1962 roku. Čeština: Maurice Ravel: Jeux d'eau (Vodotrysky), hraje pianistka Martha Argerichová roku 1962. Македонски: Водоскок од Морис Равел во изведба на Марта Аргерич, 1962 г. «Игра воды» Мориса Равеля в исполнении Марты Аргерих (1962).

FREDERIC CHOPIN, THE ETUDES PAN 107 (1810 - 1849) Martha Goldstein, Piano (Erard, 1851) Opus 10 - Twelve Grand Etudes dedicated to Franz Liszt, published 1833 c minor- Allegro con fuoco Supposedly written in Stuttgart shortly after Chopin received news of the taking of Warsaw by the Russians September 8, 1831, this Etude is popularly called The Revolutionary."

Władysław Tarnowski ps. Ernest Buława „Grande Sonate pour Piano composée et dediée respectueusement à J.I. Kraszewski”, wyd. Robert Forberg, Lipsk, październik 1877. Obdarowanym dedykacją był Józef Ignacy Kraszewski, wydawca, korespondent i przyjaciel Władysława Tarnowskiego. Tu wykonanie 1-ej partii z 2 części, która to 1-sza partia ma tytuł „Scherzo rondino” i zawiera temat „Jaskółki” z opery „Achmed” skomponowanej przez Władysława Tarnowskiego. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 16:57, 17 September 2018 (UTC)), wrzesień 2018. Z podziękowaniem dla SLUB w Dreźnie (Sächsische Landsbibliothek – Staats- und Universitätbibliothek Dresden) za udostępnienie partytury.

1st release date: 1928 1st recording date: 13 October 1927 Place of recording: unknown Author(s)/Composer(s): Landon Ronald (1873-1938) Lyricist(s): Edward Teschemacher (1876-1940) Performer(s): Doris Vane (1874-?) Vocal range: Soprano solo with cello obligato and piano Title/Work: O lovely night Genre(s): Song

Composer: César Cui (1835-1918) Title: Gloria Patri and Wedding Recessional from the opera "The Saracen" Printed source: Piano-vocal score published in Moscow by P. Jurgenson, 1899. This is a rudimentary MIDI arrangement and Ogg recording therefrom made by Mllefifi, Nov. 29, 2005 The music itself is in the public domain. Mllefifi is making this audio file available to promote the composer and for whatever other use can be made of it, besides linking it to the article "The Saracen (opera)".

Klavierstücke, op. 118 - ii. intermezzo, Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Władysław Tarnowski ps. Ernest Buława „Sonate pour piano composéed et dediée à son ami Br. Zawadzki”, V. Kratochwill, Wiedeń, maj 1874. Obdarowanym dedykacją był jego przyjaciel Bronisław Zawadzkiego wydawca i redaktor różnych pism literackich, w których ukazywały się drukiem utwory Władysława Tarnowskiego. Część 7 i ostatnia sonaty: „Scherzo Finale” Ta cześć z mottem: „Au diable tout! (Berlioz Memoires.)” Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 15:48, 29 March 2018 (UTC)), marzec 2018. Z podziękowaniem dla Österreichische Nationalbibliothek za udostępnienie mi partytury.

Concert pianist Awadagin Pratt performs w:Johann Sebastian Bach's Passacaglia and Fugue in C minor at the w:White House Evening of Classical Music on November 4, 2009. In addition from 11:22 to 11:27, he salutes United States President Barack Obama with a few bars of "Hail to the Chief".

Władysław Tarnowski ps. Ernest Buława „Fantaisie quasi Sonate pour Piano et Violon (sur quelque thèmes d'un opéra inédit) dediée à Madame P. Garczyńska”. Druk wydał w Wiedniu V. Kratochwill w październiku 1874. Część 2 Fantazji: „Scherzo à la Mazurka”. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 17:21, 18 December 2018 (UTC)), grudzień 2018. Z podziękowaniem dla Österreichische Nationalbibliothek za udostępnienie mi partytury.

Українська: Й.С. Бах. Фуга dis-moll з І тому ДТК. Виконує Андрій Бондаренко. Запис здійснено апаратурою ВМУА на кабінетному роялі з хоровим строєм. Johann Sebastian Bach: Fugue in D-sharp minor, BWV 853, from Well-Tempered Clavier, vol. I. Performed by Andriy Bondarenko. The piano has a choir-like tuning, sorry :)

An Edison "Perfected" Phonograph cylinder recording of The Lost Chord (composed 1877) by Arthur Sullivan (1842-1900), played on piano and cornet. One of the earliest surviving recordings of music; was played at the press conference that introduced the phonograph to London on August 14 1888. Cuts off slightly before the ending of the song. The recorded version is somewhat abridged (a middle section has been cut, possibly due to time constraints). Overall a well-preserved example of wax cylinder recording technology. Length: 2:07

Українська: Й.С. Бах. Прелюдія es-moll з І тому ДТК. Виконує Андрій Бондаренко. Запис здійснено апаратурою ВМУА на кабінетному роялі з хоровим строєм.J.S. Bach. Preludio in E-flat minor from WTK vol. I (BWV 853). Performed by Andriy Bondarenko. The piano has a choir-like tuning, sorry :)

Polonez A-dur op. 40 nr 1, w wykonaniu Romualda Greissa na fortepianie marki Budynowicz z 1850. Nagranie z koncertu w filharmonii w Zabrzu. Čeština: Polonéza Fryderyka Chopina Polonaise Op. 40 No. 1 v podání pianistky Romualdy Greissové na klavíru Budynowicz z roku 1850. Polonaise Op. 40 No. 1, performed by Romuald Greiss on an 1850 Budynowicz piano. Polonaises, opus 40, n°1 de Frédéric Chopin, interprétées par Romuald Greiss sur un piano Budynowicz de 1850. Эрзянь: Полонез Оп. 40 No. 1, налксизе Ромуальд Грейсс, 1850 иестэ теезь Budynowicz фортопианасо. Українська: Полонез Op.40 №1 у виконанні Ромуальда Грайса на фортепіано Будиновича 1850 року, Забже, Польща.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

ATTENTION !!! file INCOMPLETE, file complete you could find here File:Clementi_Sonata_in_G_Minor_No_3,_Op_50,_Didone_Abbandonata_-_I_Introduzione.ogg Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Sound file of a brief passage from Mozart's Piano Sonata in G, K. 283 Third movement, starting measure 247. .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)